Cello Romance

ABC 476 5162

Anthologies of famous cello music abound, but this latest 2CD release from ABC Classics deserves to be heard. It is a compilation of recordings made mostly by Australians, including Janis Laurs, Li-Wei Qin, Sally Maer, Louise King, Michael Goldschlager, Julian Thompson, Suzanne Wijsman, Noeleen Wright, Daniel Yeardon, Anthea Cottee, Fenella Gill and Jamie Hey.

Along with the usual and equally spendid performances of movements from Bach’s Cello Suites and Vivaldi’s Four Seasons, as well as movements from the very famous concertos by Vivaldi, Dvorak and Elgar, and well known pieces by Tchaikovsky and Saint-Saens, there is much that will interest all kinds of listeners, from cello students and teachers right through to the man or woman in the street.

The apparent simplicity of the Adagio movement from Haydn’s Cello Concert in C is quite delightful with its lyrically shaped phrases. The pizzicato accompaniment to the legato melody in Villa-Lobos’s Cantilena from Bachianas Brasileiras No 5 adds to the Latin American flavour.

The tranquil mood of Spiegel im Spiegel (or “mirror in the mirror”) by Avro Part allows the listener into a rare space of solitude where an infinite number of images can collide. The playing here by Sally Maer and Sally Whitwell (on piano) is most moving.

As well as the standard cello repertoire, there are transcriptions of arias and songs (Handel’s Lascia ch’io pianga from Rinaldo, and Par che mi nasca in seno from Tamerlano, Sondheim’s Goodbye for Now, and the Ionian song, I Will Give My Love an Apple).

Large scale accompaniments are provided by various orchestras (Melbourne and Adelaide Symphony Orchestras, Sinfonia Australis, and Australian Brandenburg Orchestra) on some tracks, but also a diverse range of other accompaniment forms, including piano, harp, harpsichord and chamber settings, thus giving a range of tonal combinations.

Whilst there are sonata movements by de Boismortier and Saint-Saens, it is perhaps in the lesser known works (von Paradis and Zipoli, for example) or transcriptions where this disc actually offers something more.

As a compilation album, covering a smorgasbord of repertoire over a 400 year period, it is well worth having in one’s collection.